https://klarakofen.cargo.site klarakofen.net Mon, 10 Apr 2023 21:35:39 +0000 https://klarakofen.cargo.site en https://klarakofen.cargo.site/Home Mon, 10 Apr 2023 21:35:39 +0000 klarakofen.net https://klarakofen.cargo.site/Home klara kofenartist, writer, researcher, performer// artistic director of&nbsp; waste paper opera <img width="480" height="278" width_o="480" height_o="278" data-src="https://freight.cargo.site/t/original/i/bd5410f4ac1615ea04a02d571c6dbbdf8411d957162d07b4dbbdd789d0f2382b/giphy.gif" data-mid="215617667" border="0" src="https://freight.cargo.site/w/480/i/bd5410f4ac1615ea04a02d571c6dbbdf8411d957162d07b4dbbdd789d0f2382b/giphy.gif" /><img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/e467da7db150b49a3c534ef53c229ad8a5e42de12ed439d8c1a7136412633829/EBA_4753a.jpg" data-mid="226668104" border="0" 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src="https://freight.cargo.site/w/1000/i/c76a0eb56d4362b486193ff3c529862b897d3f5970748fc8bbea59a39ac26646/1-title.png" /> <img width="2770" height="1162" width_o="2770" height_o="1162" data-src="https://freight.cargo.site/t/original/i/c052ac8c157a50030e18394982b5b30c9cf04b73711d633a36d1d3cb8ddaab6c/Meili-1.png" data-mid="174964930" border="0" src="https://freight.cargo.site/w/1000/i/c052ac8c157a50030e18394982b5b30c9cf04b73711d633a36d1d3cb8ddaab6c/Meili-1.png" /> <img width="2568" height="1438" width_o="2568" height_o="1438" data-src="https://freight.cargo.site/t/original/i/4bd65550cc796e849d1e15be5c8b78ffab192919cfb6f431f1596fdeeb8583bd/abfalleimer-2023.png" data-mid="175084981" border="0" src="https://freight.cargo.site/w/1000/i/4bd65550cc796e849d1e15be5c8b78ffab192919cfb6f431f1596fdeeb8583bd/abfalleimer-2023.png" /> <img width="2040" height="1360" width_o="2040" height_o="1360" data-src="https://freight.cargo.site/t/original/i/f4dadfb4300f352de6c32fe9ec1db1b48b8d4ba664add399cfa60866635b3978/_JB14807.jpg" data-mid="174965000" border="0" src="https://freight.cargo.site/w/1000/i/f4dadfb4300f352de6c32fe9ec1db1b48b8d4ba664add399cfa60866635b3978/_JB14807.jpg" /> Contact: Instagram / Twitter / email: klara.m.a.kofen [at] gmail [dot] com [about] Current Projects + News: Fake &amp; Extinct 2025 Admiror, or Revolutionary Sentiments Dead Cat Bounce 2024 UK Tour &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; (Cozey Me Me series)2026 ⁑ ‘Time Frictions - The Strange Time of Digital Twins’, talk at University College London, Institute of Advanced Studies⁑‘Alume Catino/Dr. Saunderson is Sleeping’, solo performance/video work/composition, Big Throw#3, SET Social, Peckham ⁑ ‘The Immovable Dramaturgical Object - Multimodal Dramaturgies’, workshop at Field Studies, Raleigh Chapel ⁑ ‘The Immovable Dramaturgical Object - Multimodal Dramaturgies’, workshop at Chelsea College of Art ⁑ ‘Chronocenosis, Infrastructure &amp; Multimodal Dramaturgies’, artist talk at Chelsea College of Art⁑ ‘The Detritus of our Days - A past and future of trade secrets’, essay in Cabinet Magazine, Issue 70⁑ ‘Fake &amp; Extinct, or Infrastructural Hauntings’, Post Graduate Talk, Goldsmiths, University of London 2025 ⁑ Phorne gig, Resonance FM Christmas Fundraiser, IKLECTIC ⁑ Artist talk, Manchester School of Art, MMU&nbsp; ⁑ ‘Conduit’, Phorne, duo launch at The Horse Hospitaln ⁑ Reading of ‘There is so much time yet’ at Cramer Street Gallery ⁑ Visiting Lecturer, ‘Time Frictions’- Research Group, MFA, Goldsmiths, University of London ⁑ Voiceover for Pepa Ubera’s, ‘The Machine of Horizontal Dreams’, world premiere at Sadler’s Wells ⁑ ‘Fake &amp; Extinct’, performance, Terrafilia, TBA21/Museo-Nacional Thyssen Bornemisza, Madrid ⁑ Field Studies - Open Summer School - a choral method,&nbsp;LUCA School of Arts, Ghent, Belgium, leading practitioner ⁑&nbsp;UCL IAS/SCCI Quirk Creative Fellowship (Music &amp; AI) ⁑ ‘fake &amp; extinct’, performance, Live Works Festival, Centrale Fies, Italy ⁑ Big Throw, performance/curation, Horse Hospital, London,&nbsp; ⁑ Performance, ‘Abat/Voix’, with Cameron Graham, BEK Bergen ⁑ ‘To the truest of hearts - Algorithmic Authenticity and the Digital Baroque’, lecture performance at Identity Crisis Network, Zagreb, Croatia. ⁑ Artist Residency, Centrale Fies, Italy ⁑‘Baroque Ghosts but make it L.A.’, Lecture at City University, London ⁑&nbsp;Performance, ‘Admiror or Revolutionary Sentiments’, FACT Liverpool, Invisible Wind Factory ⁑ ‘Memorabilia from the future’, review of Tanat Teeradakorn’s ‘National Opera Complex’ at Gasworks for Plinth ⁑ ‘On opera and other forms of collaborative performance making’, workshop at Wimbledon College of Arts&nbsp; 2024 ⁑ Artist Residency, Centrale Fies, Italy⁑ ‘Big Throw’, collective performance, Matt’s Gallery, London ⁑ Performance, ‘Admiror, or Revolutionary Sentiments’Centre d’art contemporain de la Ferme du Buisson ⁑ Performance, ‘Admiror, or Revolutionary Sentiments’, The Guggenheim Museum, New York ⁑ ‘Dead Cat Bounce - an oratorio about finance and catastrophe’ (2024 UK tour), No Bounds Festival, Soft Ground Arts Catalyst ⁑ Performance Lecture, ‘Thoroughfare’, Performing Arts Forum, France ⁑ Artist Talk, Aria - World’s End Hackathon, Ljubliana&nbsp; ⁑ ‘DEAD CAT BOUNCE - an oratorio about finance and catastrophe’ (2024 UK tour), Nottingham Contemporary, Nottingham ⁑ Premiere, ‘abstracts, with love’, Waste Paper Opera, commission by the Future Places Centre at Lancaster University, an EPSRC-funded Digital Economy Centre, and the Culture and Place strand at Lancaster Institute of Contemporary Arts ⁑ Voice over for Alice Bucknell’s ‘Staring at the Sun’ for EPFL, Switzerland ⁑ Opera (Direction / Design / Light), Titus l’Empereur, Händelfestspiele Halle, with Opera Settecento ⁑ ‘DEAD CAT BOUNCE - an oratorio about finance and catastrophe’ (2024 UK tour), Eastside Projects, Birmingham ⁑ Performance, ‘Jeremiah’ from Dead Cat Bounce with Waste Paper Opera at Café Oto, Resonance FM ⁑ Performance, ‘Admiror, or Revolutionary Sentiments’ at Medialab Matadero for OpenLAB#3&nbsp;Mentes sintéticas ⁑&nbsp;Performance, ‘Free to Choose’ at Medialab Matadero for OpenLAB#3 Mentes sintéticas ⁑ Performance with Sally O’Reilly at the launch of Bleet Magazine ⁑ Book launch, ‘Catastrophe Time!’ at the Centre for Capitalism Studies, UCL ⁑ Artist Talk, Wimbledon College of Arts ⁑ Performance, ‘Free to Choose’, Resonance FM Fundraiser, Iklectik 2023 ⁑ Research Associate for Serpentine’s Beyond Cultures of Ownership R&amp;D Platform ⁑ Performance with the Waste Paper Opera Chorus at Lewisham Arthouse for Moina Moin’s exhibition Mittens Got Talent ⁑ Artist Talk with Waste Paper Opera at the Royal Birmingham Conservatoire ⁑ Performance of ‘Admiror, or Revolutionary Sentiments’ with Cameron Graham at BEK Bergen, ‘The Only Lasting Truth is Change’ Symposium ⁑ Artist Talk at Reading University ⁑ R&amp;D for ‘Admiror, or Revolutionary Sentiments’, at Medialab Matadero, collaboration with Bahar Noorizadeh ⁑ Small Publishers Fair at Conway Hall with Bookartbookshop and Atlas Press ⁑ Research Trip to Lancaster with Waste Paper Opera with Lancaster University Future Places Centre ⁑ Tutor, Goldsmiths University of London MFA Fine Art ⁑ Artist Residency at London Performance Studios ⁑ &nbsp;Research Fellowship at 0x Salon, Berlin ⁑ Artist Residency with Ryan Latimer, Britten Pears Arts / Snape Maltings ⁑ Talk, Book launch of Catastrophe Time! at Goldsmiths University of London ⁑&nbsp; FREE TO CHOOSE, financial sci-fi opera for the metaverse, collaboration between Bahar Noorizadeh, Waste Paper Opera, Rudá Babau / Singapore Art Museum for Open System 1_ Open Worlds ⁑ ‘Ethereal Data’ in Gary Zhexi Zhang’s Catastrophe Time! (Strange Attractor/MIT Press) ⁑ &nbsp;Research, UNDONE Theater, The Butterfly Project ⁑ Workshop, Create the World, Central Saint Martins ⁑ Workshop series, Horizontal Practices, London Performance Studios ⁑ Script for Eat.Drain.Arson, on-chain game, developed by Trust, in collaboration with 0x Park 2022 ⁑ Oratorio premiere, Dead Cat Bounce, Waste Paper Opera, Somerset House ⁑ Installation, Dead Cat Bounce, Waste Paper Opera, OpenLab #1, Medialab Matadero ⁑ Workshop, Grounding Practice, Somerset House ⁑ Tutor, MA Arts &amp; Politics, Goldsmiths University of London ⁑ Performance, Good Soup, Ensemble Molière, National Centre for Early Music ⁑ Performance, Black Hole of Money, 0x Salon, CLICK @ Kulturvaerftet, Denmark ⁑ R&amp;D residency for Dead Cat Bounce with Waste Paper Opera at London Performance Studios ⁑ R&amp;D residency for Dead Cat Bounce with Waste Paper Opera at Wysing Arts Centre&nbsp; ⁑ Artist residency with Ensemble Molière, Hawkwood ⁑ Translation, Wagner’s The Ring Cycle, Bayreuther Festspiele ⁑ Translation, Poulenc’s Dialogues des Carmelites, Oper Zürich 2021⁑ &nbsp;Seriousness on a bed of Feathers - The Foraging Mindset of Helen Frik, Christian Ouwens Gallery, Amsterdam ⁑ &nbsp;To Give and Not Count The Cost, Eeenwerk Gallery, Amsterdam ⁑ Researcher/consultant, Positive Sum Worlds: Remaking Public Goods, Other Internet ⁑ Performance, The Limits of the Trade and Variable Winds, Proxyerotics, Launch Party ⁑ Performance, The Cozey Me - Me, Hederafelix, Mycelia IV, Launch ⁑ Film selection, BOMB Factory Artist’s Film Festival, We Have No Reason To Believe At This Point In Time, with Chihiro Ono ⁑ Performer, Voice Workshop with Sally O’Reilly, Royal College of Art 2020 ⁑ Curation, Purgatory Shelf Object Theatre Variety Show, Waste Paper Opera + Sally O’Reilly&nbsp; ⁑ &nbsp;Writing with Sally O’Reilly, two gods lament their charges, The Open Arms ⁑ Publication + Audio Play,&nbsp; The Pomegranate, Hederafelix, Mycelia III ⁑ Syrup Tracing; or, on the significance of rising and/or falling, Waste Paper Opera, Ideas of Noise Festival, Midlands Tour 2019 ⁑&nbsp; Talk, Reconsidering the Total Work of Art, Our Haus Festival, Camberwell College of Arts ⁑ Workshop, Reconsidering the Total Work of Art, Our Haus Festival, Central Saint Martins ⁑ Performance/workshop series, The Tales of Hoffman, Beijing Music Festival/Beijing Philharmonic Choir ⁑ Artist Residency, Waste Paper Opera, Splendour, Amsterdam ⁑ Curation, London Experimental Variety Show, Waste Paper Opera, The Shaw Theatre ⁑Performance, Abfalleimer II, Excellent Vocal Takes, SET Dalston ⁑Translation + Research, Wagner’s Tannhäuser, Bayreuther Festspiele 2018⁑ Film collaboration with Diann Bauer, Victory over the Sun, Writers &amp; Makers: Women &amp; Technology in New Music, Defragmentation in Darmstadt 2018, Darmstadt Summer School for New Music ⁑Performance, ‘i’ the opera, Waste Paper Opera, Glasgow International/ Wandsworth Arts Fringe ⁑Talk, Animism;Anxiety:AI, Sing-A-Lang Symposium, Institute of Modern Languages Research, London ⁑Performance, Vorephilia, Waste Paper Opera, commissioned by the Medical Research Council/30Bird, UNFRAMED 2, Cambridge Junction ⁑Interdisciplinary performance series, Whole Punch, Waste Paper Opera, Rosemary Branch Theatre ⁑Performance, Dido and Aeneas, New Generation Festival, The Zedel ⁑Performance, A Risk of Lobsters, opera created in collaboration with Lucy Armstrong, Milton Court Studio Theatre&nbsp; Education: MSt. Enlightenment Studies, University of Oxford MA (Hons.) History, University of Glasgow